Questões de Inglês do ano 0000

Lista completa de Questões de Inglês do ano 0000 para resolução totalmente grátis. Selecione os assuntos no filtro de questões e comece a resolver exercícios.

Read and answer.


How do I pick the perfect pillow?

At the end of the day, your pillow’s most important job is to support you in your go-to sleeping position, all night long. And when I say, “support,” I don’t just mean that it feels soft and cozy. The right pillow should keep your head, neck, and spine, all in neutral alignment, and support the natural curvature of your spine. Keeping a neutral spine not only alleviates neck pain, it also relieves pressure throughout your entire body.

Pro Tip: If you’re not exactly sure how to tell if your spine is in neutral alignment, check to make sure your ears are in line with your shoulders, and your chin is in line with your sternum.


Adaptado de: RICCIO, Sarah. 2021. Disponível em: https://sleepopolis.com/guides/right-pillow-how-tochoose/. Acesso em: 25 mar. 2021.


The words “pillow”; “your” and “support” ,in this context, belong, respectively, to these word classes:

    A) Noun; Noun; Adjective.

    B) Interjection; Verb; Adverb.

    C) Numeral; pronoun; Verb.

    D) Noun; pronoun; Verb.

Mark the alternative which contains a clause in Past Continuous Tense.

    A) She got so glad that you are here.

    B) was doing the dishes when the phone ranged.

    C) We are making our best, we can’t do better.

    D) They worked as teachers a long time ago.

Read and answer.


Teaching (English) in Multicultural Classes

When a person brought up in one culture finds himself in another and different one, his reaction may be anger, frustration, fright, confusion. When, at the same time, he has to learn a foreign language and conduct his academic studies in this language, the reaction may be stronger because he is faced with many unknown simultaneously. Until the threat is removed, the learning process is blocked.

Teachers can help the negative cultural shock to become cultural and self-awareness of the learner. This way he can bridge the gap - the distance as perceived which is never actual distance. It is easier with children who are never strong culture bound, having fewer worldviews and set norms.

Every community has its own distinctive culture setting of norms and understandings which determine their attitude and behaviour. However the individuals are often not or not explicitly aware of their own culture.


Adaptado de: SÁRVÁRI, Judit. Teaching (English) in Multicultural Classes. Periodica Polytechnica, Budapest, v. 5, n. 2, p. 127-133, out. 1997.


According to the text, what is the teacher’s task to deal with the challenge of teaching English in a multicultural context?

    A) Ignore the cultural issues so learners won’t have any problems in learning the language.

    B) Discredit the learner’s own culture so he/she would be able to learn a better culture by learning a foreign language.

    C) Try to bridge cultures so the cultural shock will turn to cultural and self-awareness of the learner.

    D) Every community has its own cultural matters, so people in other culture will never be able to learn a foreign language.

Leia o texto para responder às questão.


It’s the Perfect Time to Discover Avatar: The Last Airbender

Spend your Labor Day weekend watching a 15-year-old Nickelodeon show aimed at children. You won’t regret it.


I’m a TV critic who’s constantly overwhelmed by the sheer amount of new television there is to consume; I can’t imagine how the average viewer must feel. Currently, 10 episodes of a new space opera, six episodes of a Civil War drama, a mini series about chess, an adaptation of a beloved novel, and the fourth installment of an anthology series are all vying for my attention—and those are just the ones I’m interested in watching, not the ones that I’ve already written off as being not worth my time.

Yet time and again, I’ve been frustrated by television in 2020. Seasons are bloated and meandering; character arcs are picked up and then abandoned; episodes don’t seem to cohere around any single idea, let alone a good idea; and often, shows are more interested in playing out their premise for as long as possible than they are in telling a story that has a compelling arc and a stunning end. Too many current shows seem to have been greenlit based on someone’s slightly deranged moodboard, or a movie idea spun into a series pitch; not enough are dramatically paced, well-written, coalescing around strong characters and a powerful theme or two. So it was a delight to spend some of the doldrums of August marathoning Avatar: The Last Airbender—a show so good, it puts prestige dramas, expensive streaming series, and wry comedies to shame. I’m a little embarrassed to admit it took the beloved Nickelodeon series’ arrival on Netflix to finally get me to watch its compact, elegant three seasons, which are purportedly intended for children but somehow also managed to make me cry like a baby. Anyway, I’m late to the party—Avatar premiered in 2005—but I’m not alone: After debuting on the platform in May, the series stayed in Netflix’s top 10 for 61 days, topping a previous record held by Ozark. 

For an animated half-hour that lasted just three seasons, this is a lot of metaintro-text—but if you’ve seen it, it’s not surprising. The series, from creators Michael Dante DiMartino and Bryan Konietzko, introduces viewers to a fantasy world guided by fully non-European tradition, where certain powerful individuals can manipulate one of the four elements. The Avatar is a particularly powerful individual who has the ability to master all four elements; as their title implies, one is reincarnated every generation, holding all of those past lives inside them.

SARAYA, Sonia, 2020. Disponível em: https://www.vanityfair.com/hollywood/2020/09/avatarthe-last-airbender-netflix. Acesso em 24 mar. 2021. 

The word “character” can be translated to Portuguese in the text’s context as:

    A) Personagem.

    B) Caráter.

    C) Característica.

    D) Episódio.

Leia o texto para responder às questão.


It’s the Perfect Time to Discover Avatar: The Last Airbender

Spend your Labor Day weekend watching a 15-year-old Nickelodeon show aimed at children. You won’t regret it.


I’m a TV critic who’s constantly overwhelmed by the sheer amount of new television there is to consume; I can’t imagine how the average viewer must feel. Currently, 10 episodes of a new space opera, six episodes of a Civil War drama, a mini series about chess, an adaptation of a beloved novel, and the fourth installment of an anthology series are all vying for my attention—and those are just the ones I’m interested in watching, not the ones that I’ve already written off as being not worth my time.

Yet time and again, I’ve been frustrated by television in 2020. Seasons are bloated and meandering; character arcs are picked up and then abandoned; episodes don’t seem to cohere around any single idea, let alone a good idea; and often, shows are more interested in playing out their premise for as long as possible than they are in telling a story that has a compelling arc and a stunning end. Too many current shows seem to have been greenlit based on someone’s slightly deranged moodboard, or a movie idea spun into a series pitch; not enough are dramatically paced, well-written, coalescing around strong characters and a powerful theme or two. So it was a delight to spend some of the doldrums of August marathoning Avatar: The Last Airbender—a show so good, it puts prestige dramas, expensive streaming series, and wry comedies to shame. I’m a little embarrassed to admit it took the beloved Nickelodeon series’ arrival on Netflix to finally get me to watch its compact, elegant three seasons, which are purportedly intended for children but somehow also managed to make me cry like a baby. Anyway, I’m late to the party—Avatar premiered in 2005—but I’m not alone: After debuting on the platform in May, the series stayed in Netflix’s top 10 for 61 days, topping a previous record held by Ozark. 

For an animated half-hour that lasted just three seasons, this is a lot of metaintro-text—but if you’ve seen it, it’s not surprising. The series, from creators Michael Dante DiMartino and Bryan Konietzko, introduces viewers to a fantasy world guided by fully non-European tradition, where certain powerful individuals can manipulate one of the four elements. The Avatar is a particularly powerful individual who has the ability to master all four elements; as their title implies, one is reincarnated every generation, holding all of those past lives inside them.

SARAYA, Sonia, 2020. Disponível em: https://www.vanityfair.com/hollywood/2020/09/avatarthe-last-airbender-netflix. Acesso em 24 mar. 2021. 

Mark the alternative which better summarizes the MAIN SUBJECT for this text.

    A) Michael Dante DiMartino and Bryan Konietzko had an accord to Netflix to finally put the show on Netflix’s catalog in the U.S.A.

    B) The characters in Avatar- The Last Airbender are all children because the show is meant for kids and only this public enjoy it.

    C) Avatar – The Last Airbender is a great Nickelodeon’s TV show from 2005-2008 which has just arrived to Netflix’s catalog and deserve some attention from the public.

    D) The show Avatar- The Last AirBender is not so good as 2020 shows, so the public will regret to watch it.

Provas e Concursos

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